Works

Part of the Transgression cycle, which addresses the alchemical process of transformation as an analogy for human becoming. Embodiment corresponds to the stage of integrating a new wholeness — the moment when lived experience of dissolution, nullification, and transformation crystallises into a renewed, embodied presence.

Part of the Transgression cycle. This stage captures the moment when new connections gain density and material presence. What existed as an eidos — a potential structure or idea — passes into an embodied form, becoming tangible and capable of action in the material world.

Part of the Transgression cycle. This stage captures a moment of emergence — when new connections begin to form in place of the former structure. It is a liminal state in which a new configuration of reality has not yet stabilised, yet is already in operation, opening the possibility of an alternative trajectory of becoming.

This series addresses inner depth as a source of knowledge and orientation in the world. It explores a state of inner listening — a moment when attention shifts from external noise to subtle bodily perception, from which clarity emerges.

Reality as a projection of one's inner state. The artist works with textual prompts addressed to AI, where language becomes both a tool for image generation and a mode of interaction with reality. What emerges in the image is directly linked to the formulation of the question: in both life and the digital environment, we receive not an objective answer, but a reflection of our own internal position.

A moment of rupture and disidentification with the former self. Within the alchemical process, it follows the fracture of wholeness and unfolds as a liminal space between past and future, where the old self dissolves and the new has not yet taken form. This state is both painful and necessary as a condition for transformation.

The inner garden has quieted down and closed its borders to the outside world. A stage of necessary silence in order to grow what needs to be said to the world. To lie low in anticipation of a new cycle with acceptance and trust.

Through her artistic practice, the artist strives to achieve wholeness. Her art endlessly seeks a balance between understanding the world and not understanding it. Together with it, she balances in constant oscillation between chaos and calm, oversaturation and silence, clarity and concealment.

The artist explores the nature of impulses toward creation, examining the subtle inner mechanics through which "something" emerges from emptiness.

Created within the MMOMA laboratory "Going Out into the City", in collaboration with the Tretyakov Gallery in Samara. By documenting multiple refractions of architectural elements and urban artifacts, the artist examines both the city's identity and her own — identifying which elements of the familiar landscape evoke resonance and mark a reference point where the loop of personal history becomes visible.

A long-term documentary project spanning seven years of observing and recording the spontaneous harmonies of everyday life. The work traces the artist's sustained engagement with the external world — light, color, form, and chance encounters — as a source of meaning and interconnectedness.